A Letter to Beldon Granada
Concerning Our History of Moo Duk Kwon Tae Kwon Do (CHOI)
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Hello, Mr. Granada.
I am happy for your in-depth
interest in the traditional aspects of the martial arts background. Before I go on I must mention that
everything I might express now is only my opinion and observation, two though
the words may sound authorative or absolute I don't believe that martial art
remains as the ideals WE may choose to talk about now...
From the 60s & 70s, in
the Moo Duk Kwan sense, TKD & TSD were virtually twins (or sister styles,
with different organizational ties and sense of purpose, or mission). You notice true tangsoodo proponents were
dark (mid-night blue) instead of actual black belt. This is to represent a deep humility and sense heavenly values;
black in certain context signifies an absolute, like death; the blue suggests
infinity (without end)... These are
some of the subtle conceptual differences, philosophically speaking. My instructor always thought mainstream
tangsoodo was too soft, esoteric & trying to be exotic (from Chinese
influence), while deeming modern tkd as too wild, sloppy and undisciplined. Yet, practicing as a Korean art is the mixed
influence of hard, direct (explosive) as Japanese fighting arts, adventurous
and insightful (historical
heritage) versatility of Chinese wisdom, instilled with the dynamics and
explosive power of Korean (kicking) skills is the premise of good
tangsoodo. Soo Bahk Do is a old-fashion
name, referring to soo = hand and bahk (meaning to bahk or bop someone, just
like it sounds) i.e., smashing or hitting; a more-or-less primitive, cultural
form of Korean survival techniques. The
correlation to Korea SooBahkDo, Tangsoodo - MooDukKwan is that (in modern
terms) it comes from the same founder, Great Grandmaster Hwang Kee exposure
from pre-WWII times in his land. We
determined that tangsoodo is simply Korean karate-do, in the general sense;
Soobahkdo is an older name strictly identifying Korean heritage to the karate
history (you have to watch the characteristics of the aristocrats from some old
Korean videos to catch the flavor or expression in personality of Korean
movement--the way they sat, kicked from Taekyun, hit and shoved reflected
custom and lifestyle before formalizing as modern martial art in this
precept). The name Moo Duk Kwan, Art or
Institute of Martial Virtue was the school/brotherhood name adopted (as a
style, or school name) because of the ideology Gmr. Hwang wanted to build into
his practice. I interpret the earlier
details (pickiness) in my own club creed of peculiar demands: do the right thing, the right way, for
the right reasons. By far we know that know one is perfect,
however, seeking abstract perfection in do's & don'ts is the path of
original moo duk kwan concept. There
have been a lot of compromises. For
example: bent "boody" kicks,
instead of instilling linear dynamics.
Pointy toes that look flashy for height and extension, instead of using
the whole self...these points are too hard, extremely demanding in everyday
practice for many to pursue, so they settle for what's kool and acceptable with
compromise, rather than emphasizing standards.
The strict old days had developed a system or style that was a
proven science through art and combat,
mixed! Also, the demanding way (of true
survival, nothing wasted--one shot, one kill) requires more spiritual strength,
another area people compromise. Minds
are not strong with mental fortitude, true martial spirit is lacking in a lot
of us. Then again, many of our
practitioners possess really excellent quality in other areas. One could be the nicest guy, or the smartest
gal--but doesn't make necessarily a good (real) marital artist. Especially nowadays where mental &
physical survival and culture is no
longer based on martial arts
to begin with. Currently, it's a
lifestyle decision--and a double-edge sword.
There are certain qualities in everyone that may be both good &
bad. You have to find what is meaningful
to you. My point...it is not in a
style, or a style name--especially now.
As my instructor, Grand Master Kong, Shin-Young expresses to me,
"don't worry about the other schools, rank, or organizations; you have to
practice good habits that you believe in and stick by that". We can't master everything, so find a few
key areas to base from: one good
technique multiplies itself into a hundred (options & variations), as a
hundred fancy techniques can be exemplified, or broken down into the basic
essentials, fundamental concepts & principles persist through a GOOD
FOUNDATION! We believe is quality of
technique, and a strong mind projects that character through body-discipline,
what kind of HABITS one has! One of Gmr
Hwang Kee publications depicts a lot of do's & don't for personal AWARENESS
in training habits--don't lean, don't slouch, don't over-extend, don't
under-step, etc... Be cognizant of what the fingers, toes, and extremities do
to participate in an action, just as well as to overt or obvious aspects (the
aesthetics) of a technique... That's the way my master corrected me. But, as I try to teach, it is all "not
because I (as an instructor) say so, but these notions or do's & don'ts
prove and verify themselves through Natural Power/natural forces & the laws
of Nature. That's the spirit of Moo Duk
Kwan, martial virtue; pure technique, with a clean mind! An abstract goal of perfection, and thorough
whole-heartedness... Granted, no one
really practices that way any more.
It's not it the form, but how you perform it. It's not in the kick, but the timing, angle and focus of it. You
may stab the toughest guy to death with merely a pencil point, right! So, with
martial virtue, do the right thing, the right way,(and hopefully) for the right
reason(s). So, we can train the weaker
person, the underdog to overcome a seemingly superior opponent by the art &
science—knowledge is power, but
appropriate action brings that power to light! In recent times I think Hwang Kee and his followers purposely
reverted to the SooBahkDo organization name because too many people wanted to
claim the so-call traditional aspects (in protest to maybe the sports
element). Yet, he felt that they, or we
were not really a part of his practice, so he established (or renamed the
tangsoodo moodukkwan, primarily in U.S. & Korea in an eliteous attempt to
separate further by his registered name).
Tangsoodo name became a fad, a trend just like everything else; I too,
sort of separated since I/Master Kong never truly followed the Tangsoodo
organizations anyhow, and we don't fit Kuk Ki Won's Korea Taekwondo (Moo Duk
Kwan) mold either. So we took/kept all
the concepts (system & theories) of insightfulness, spirituality,
form/training history, body-discipline techniques--to the extreme, and
maintained Kong's Korean-style karate, otherwise known as Kong Dae Won, Moo Duk
Kwan as a separate entity of the Taekwondo Moo Duk Kwan/Tangsoodo Moo Duk Kwan
background. I can't speak for everybody
else on this behalf. In some ways we
overlap, in others it's just a name, for a sense of merely belonging! That's it for now. I look forward in
communicating with you again!
Wm. Laird